Analog Mastering Services
Where the digital signal meets high-voltage hardware.
1. Standard Stereo Master
$75 per track
The definitive final polish. Your mix enters the analog domain through a transformer-balanced signal path for professional weight and tonal balance.
The Process: One high-resolution stereo pass through physical hardware.
The Result: A cohesive, commercially competitive record with authentic harmonic depth.
2. Full Stem Mastering (4 Stereo Stems)
$150 per track
The premium choice for depth and separation. By providing 4 core stereo groups (Drums, Bass, Instruments, and Vocals), I apply targeted analog processing to each group before the final summing stage.
The Path: Your stems are re-summed through a massive 12-tube mix bus.
The Result: Unparalleled 3D separation and "expensive" analog air—bringing the heat to your record in a way software cannot replicate.
Premium Hardware Add-Ons
Available for both Stereo and Stem Mastering.
The Elite Drum Breakdown (Up to 8 Channels)
+$60 add-on fee
For artists who need their rhythm section to hit with maximum authority. Instead of a stereo drum file, you provide up to 8 individual drum channels (Kick, Snare, Hats, Toms, Rooms, etc.).
The Process: Each of your 8 drum channels is broken out and processed through dedicated high-voltage vacuum tube stages for specific harmonic saturation.
The Result: Massive, aggressive drums with a level of grit, punch, and harmonic heat that defines the underground sound.
The Analog Drum Pass (Stereo)
+$25 add-on fee
A streamlined version of the breakout. I run your single stereo drum stem through a high-transformer chain to add harmonic saturation before blending it into the final master.
Project Rates
EP Package (4–6 Tracks): 10% discount on total.
Full Album (10+ Tracks): 15% discount on total.
The "Goldminer" Standard
"Most 'online mastering' is just a software preset. My studio is a physical environment. Whether you send a single file or an 8-channel drum breakout, your music leaves the digital world and meets the heat of real transformers and vacuum tubes. I don't just make it louder—I give it a pulse.”